Biography
Illustrator, teacher, painter, publicity. Jewish. (Changed his name c1940.) Born Hans John Knox Aufseeser on 14 August 1910 in Munich, son of the artist-designer Ernst Aufseeser; his artist mother Anglo-Irish. From 1928: studied at the Munich Academy of Fine Art and at the Berlin Akademie. 1929: apprenticed to Moisey Kogan, a sculptor in Paris. 1930: moved to London (6 Fitzroy St.) where he soon became known as a textile designer. Married Isabel Gallegos whose father ran the Edinburgh Weavers. Designed fabrics and advertisements for Edinburgh Weavers, as well as murals and mosaics. From 1940: worked for Ministry of Information. 1943: contributed to series of wartime ads, ‘Fundamentals of Civilisation’ (‘The written word’), for United Steel Companies. 1940s: designed calligraphic book-jackets and illustrated pages for the publishers Jonathan Cape, Chatto and Windus and Cresset Press, and illustrated and ‘devized’ books for children (with Oliver Hill): Balbus (1944) and Wheels (1946), both for Pleiades Books. 1948-62: known for his freelance textile designs (particularly for the new Tamesa Fabrics), and as a painter and illustrator, he was asked to teach at Central School of Art, London, in both the School of Textile Design and (1951-62) the School of Painting. 1949: Tisdall produced one of his finest designs for the cover of The Art of the Book Jacket, London: V&A and HMSO. 1951: designed entrance to the fun fair, Battersea Pleasure Gardens, Festival of Britain. 1956-70: designed tapestries, mosaics, murals for industrial firms and public buildings. Infrequent teaching at Dartington Hall, Devon, and Venice. 1980s: lecturer at Central St Martin, London. Died 31 January 1997. His style was ‘light-hearted’ in comparison to that of his father. ‘Tisdall Script’ was designed by the British type designer Michael Harvey in 2001.
Writings by
- ‘Hans Tisdall: Notebooks’ (Italy, England), Motif 13, 1967, pp. 65-80, see also p. 1.
Writings about
- , ‘Hans Aufseeser’, Gg, Dec. 1932, pp. 27-31
- Lettering of To-day, special number of The Studio, 1937, p. 71
- Gg, March 1937, p. 56 (ad for Edinburgh Weavers)
- ‘Art, steel and advertising’, Art & Industry, Nov. 1943, pp. 139-45, esp. p. 140
- , ‘English book jackets’, Graphis 14, 1946, pp. 136-44, 263-4
- , ‘[British] Illustrated books for children’, Graphis 14, 1946, pp. 220-37
- , The art of the book jacket (V&A exh.), London: V&A, 1949
- and , ‘The book jacket comes of age’ (Art of the book jacket exhibition, V&A, London), Graphis 29, 1950, pp. 14-25
- book jacket, SGM, April 1951, p. 144
- , ‘The greatest collective achievement of the year 1951’ (Festival of Britain), Graphis 37, 1951, pp. 294-313, 379
- , ‘Textile jubilee’ (Edinburgh Weavers), Design, April 1956, p. 55
- , ‘Menus and wine lists for the hotels of the British Transport Commission’, Gg, Feb. 1960, pp. 2-13
- (intro.), Hans Tisdall (exh. cat.), London: Hanover Gallery, 1961
- ‘Notebooks’, Motif 13, 1967, pp. 65-80
- , ‘The lettering is the message’, Penrose Annual, 1971, pp. 25-37, esp. pp. 25, 26
- /, 1989
- (intro.), Hans Tisdall/Paintings 1960-90 (exh. cat.), London: Albemarle Gallery, 1990 (includes chronological biography, one-man exhibitions)
- (intro.), Tisdall (exh. cat.), Düsseldorf: Galerie Vömel, 1990 (exhibitions at the Albemarle and Vömel at same time)
- , obituary, The Independent, 7 Feb. 1997
- , ed., Making their Mark, London: Herbert Press, 2000
- , ‘Hans Tisdall/Creative lettering artist’, baseline 37, 2002, pp. 21-4
- , ‘Tisdall script: a typographic interpretation’, baseline 38, 2002, pp. 13-16
- , ‘Hans Tisdall: Lettering artist and typographic inspiration’, Letter Arts Review, v. 17, no. 2, 2002, pp. 54-6
- , 2006 (includes auction records, 1990-2004)
- , obituary of Isabel Tisdall (wife of Hans), The Guardian, 12 Oct. 2007.
Exhibitions
- Leger Galleries, London, 1945, 1946
- Brighton Museum, 1947
- Galerie Vömel, Düsseldorf, 1958, 1965, 1970, 1974, 1990, 1995, 2003 (group)
- Hanover Gallery, London, 1961
- Plymouth Art Gallery, 1962
- International Tapestry Exhibition, New York, 1969
- ‘Art of the Letter’, Edinburgh, 1970
- Pride Gallery, London, 1988
- Albemarle Gallery, London, and Galerie Vömel, Düsseldorf, 1990
- Central, St Martins, London, 2000 (group)
- Galerie Vömel, Dusseldorf, 2007.